I See You ***

I found much to admire in this new romantic comedy at the Flea Theater by Kate Robin, a writer on “Six Feet Under” and Showtime’s “The Affair.” The two characters are recognizable New York types. Nina (Danielle Slavick), a motor-mouthed neurotic obsessed with irreversible environmental degradation, would be a royal pain if she were not also a charmer. Jesse (Stephen Barker Turner), a laid-off teacher and stay-at-home dad, is a much calmer person who usually finds the bright side of any situation. They meet while watching their children play at the Children’s Museum. Opposites attract. We next see them in the waiting room of an I.C.U. (cf. the title), then at a New Age center in lower Manhattan when a Sandy-like storm hits, and later at the light show at the Children’s Museum. They are both changed for having met the other, but the durability of their relationship is an open question. The dialogue often sparkles and the actors are both appealing. By Flea standards, the production is lavish. The set design by Kyle Chepulis features a large turntable (which frankly seemed unnecessary) and the lighting design by Brian Aldous includes a brief light show worthy of a low-budget production of “The Curious Incident of the Dog in the Night-TIme.” Claudia Brown’s costumes are appropriate. There's also some high-powered piano playing by Or Matias. Jim Simpson’s direction is assured. Some might find the play too talky and tentative, but I found it offbeat and satisfying. Running time: 90 minutes, no intermission.

The North Pool ***

(Please click on the title to see the complete review.)
When Dr. Danielson (Stephen Barker Turner), the vice-principal of a large public high school, summons Khadim Asmaan (Babak Tafti), a Middle-Eastern-born transfer student, to his office at the end of classes on the final day before Spring Break, Khadim has no idea why. For the next 85 minutes, they engage in an escalating verbal duel. Danielson is not the one-note bureaucrat he first appears to be and Khadim is not just a cocky student he is badgering. Joseph effectively holds the audience is his grip as he springs a series of surprises that keep changing our perception of the two characters. The play almost never heads in a predictable direction. The story has too many subplots for its own good and some of them are less than plausible. Nevertheless, the play is well worth seeing for the gripping performances of Turner and Tafti. Donyale Werle's set is the perfect recreation of a high school office and Paloma Young's costumes are just right. Director Giovanna Sardelli certainly knows how to build and maintain tension.