Summer Shorts: Series A ***

59E59 Theater is once again hosting the Summer Shorts Festival of New American Short Plays. Series A features works by Neil LaBute (most recently The Way We Get By), Vickie Ramirez and Matthew Lopez (The Whipping Man). 

LaBute’s 10K  presents two joggers, a woman (Clea Alsip) and a man (J.J. Kandel), who are certainly among the fittest actors on a New York stage. Although they are jogging for almost the entire play, their bodies and their voices show no signs of fatigue. They meet on their daily run in a nature reserve and carry on a conversation that gradually grows more personal and leads them to reveal their fantasies. It’s a minor work that is superbly realized. The playwright directed.

Glenburn 12 WP by Ramirez is the evening’s weak point. Troy (Tre Davis), a young black man who has been at an anti-racism protest at Grand Central Terminal, enters a nearby Irish pub to have a beer. The bartender is unaccountably absent. He is soon joined by Roberta (Tanis Parenteau), a woman in her 30s who is a regular at the bar and who turns out to be part Native American. She tries to persuade him to have a drink, but he is reluctant to without the bartender there. She provokes him into a conversation and offers to pay for his drinks. When she goes down to the cellar allegedly to see if the bartender is there, she returns with a bottle of the very expensive Scotch for which the play is named. After a couple of drinks, she reveals a dark secret, which seemed completely implausible. The actors did their best with poorly written characters. Mel Haney directed.

The Sentinels by Lopez introduces us to three 9/11 widows whose husbands worked for the same firm and who meet at a coffee shop near ground zero every year. Alice’s (Meg Gibson) husband was the company’s founder. The acerbic Christa (Kellie Overbey) was married to an important executive there. Kelly’s (Michelle Beck) husband was a recent hire. Zuzanna Szadkowski is the waitress. The gimmick is that the story is told backwards starting in 2011 and proceeding in short scenes back to 2000. The concept is better than the execution. The short scenes don’t really build in intensity. The cast was good. The flatness seemed more in the writing than in Stephen Brackett’s direction.

Rebecca Lord-Surratt’s set design transformed nicely between locations. Dede Ayite’s costumes were apt. The evening was pleasant but not memorable. Running time: 1 hour 35 minutes, no intermission.

10x25 - Series A **

10x25 is the Atlantic Theater Company's 25th Anniversary Festival of 10-Minute Plays. Series A presents the first eight plays. As is so often the case in projects like this, the results vary widely in quality. First off was Ethan Coen's "The Redeemers," about patricidal brothers out West, in which a gurgling Mr. Coffee has the best part. Next was the evening's low point, "Posh Pill" by Kia Corthron, a clumsy harangue about health care disguised as a play, that seemed to drag on much longer than 10 minutes. David Mamet's "In a Linguistic Class," about a professor and student negotiating a grade for the student's poem, was the shortest and, to me, most amusing offering. Kate Moira Ryan's "Master Class with Cassiopeia O'Hara" is a monologue for the always entertaining Kristen Johnston as a has-been (or never-was) actress passing her "wisdom" on to a new generation. It was over the top, but fun. For me, the most interesting play was John Guare's "Elzbieta," a biographical sketch about a famous Polish actress, that blended narration and impersonation. Stephen Belber's "Various Rigors," about a very strange physical examination, seemed weird and pointless. Lucy Thurber's "Marriage," a dinner conversation for a long-married couple, their unhappy daughter and her husband, was lively and well-made. David Pittu is lyricist, star and director of "Jacob Sterling, Distinguished Alumnus," during which the hapless alum returns to his alma mater, S.P.A.S.M. (South Palo Alto School of Music) for an interview with excerpts from his music for unproduced musicals. Randy Redd wrote the music. Amusing on its own, the play is even funnier for those who saw Pittu's earlier turn as Sterling in "What's That Smell?" Among the 16 actors I have not mentioned, Tim Blake Nelson, Kristin Griffith, Peter Maloney, Glenn Fitzgerald and Mikaela Feely-Lehmann stood out.
Series B and C are coming up in June with playwrights including Tina Howe, Craig Lucas, Keith Reddin, David Auburn, Peter Parnell and Sam Shepard.