Larry David’s comedy, his Broadway debut both as playwright and actor, has a lot in common with “It Shoulda Been You.” Both plays demonstrate that if you have a marvelous cast, good direction (by Steppenwolf’s Anna D. Shapiro) and a stylish production (sets by Todd Rosenthal, costumes by Ann Roth), you can go a long way toward making mediocre material seem better than it is. The fractious Drexel family is further fractured by an argument over the deathbed wish of family patriarch Sidney (Jerry Adler) that one of the sons welcome their mother Gloria (Jayne Houdyshell) into his home. Neither Norman (David) nor his younger brother Arthur (Ben Shenkman) wants the job. This basic situation is embellished by the machinations of other family members and retainers to gain an advantage. Glenn Headly (replacing Rita Wilson, who had to drop out to have surgery) is delightful as Norman’s wife Brenda. Rosie Perez is fine as the family maid Fabiana and Jake Cannavale is a hoot as her son Diego. Fine actors such as Richard Topol, Lewis J. Stadlen, Marylouise Burke and Jonny Orsini are underutilized in small parts, but it is still good to see them. Horny senior citizens play an important role in the story. This is one of the rare plays where things improve after intermission. David’s role is largely a copy of his TV persona. If you like ”Curb Your Enthusiasm,” you will very likely enjoy this too. Running time: 2 hours including intermission.
Showing posts with label Lewis J. Stadlen. Show all posts
Showing posts with label Lewis J. Stadlen. Show all posts
Wednesday, April 15, 2015
Fish in the Dark ***
Labels:
Ann Roth,
Anna D. Shapiro,
Ben Shenkman,
Fish in the Dark,
Glenn Headly,
Jake Cannavale,
Jerry Adler,
Jonny Orsini,
Larry David,
Lewis J. Stadlen,
Marylouise Burke,
Rosie Perez,
Todd Rosenthal
Tuesday, October 23, 2012
Checkers ***
(Please click on the title to see the entire review.)
Douglas McGrath's new play at the Vineyard Theatre manages the not inconsiderable task of winning one's sympathy for the Nixons, especially for Pat. McGrath has taken a footnote to the 1952 campaign --- Nixon's struggle to stay on the ticket after charges of financial impropriety -- and built a play around it. For added measure, the story is told as a flashback to the moment in 1966 when Nixon decided whether to run for president again in 1968. Anthony LaPaglia does a credible Nixon and Kathryn Erbe is a superb Pat. Lewis J. Stadlen is a lively Murray Chotiner. The other principals -- Ike (Jon Ottavino), Mamie (Kelly Coffield Park), Herbert Brownell (Robert Stanton) and Sherman Adams (Kevin O'Rourke) rarely rise above the level of cartoon figures. Mark Shanahan and Joel Marsh Garland also have small roles. Neil Patel's clever set is greatly enhanced by Darrrel Maloney's excellent projections. Sarah J. Holden's costumes and Leah J. Loukas's wigs help recreate the times. Terry Kinney's direction is fluid. While the play has many entertaining moments, I could not shake the feeling that more loving attention had been lavished on it than it deserved. Running time: 1 hour, 45 minutes without intermission.
Douglas McGrath's new play at the Vineyard Theatre manages the not inconsiderable task of winning one's sympathy for the Nixons, especially for Pat. McGrath has taken a footnote to the 1952 campaign --- Nixon's struggle to stay on the ticket after charges of financial impropriety -- and built a play around it. For added measure, the story is told as a flashback to the moment in 1966 when Nixon decided whether to run for president again in 1968. Anthony LaPaglia does a credible Nixon and Kathryn Erbe is a superb Pat. Lewis J. Stadlen is a lively Murray Chotiner. The other principals -- Ike (Jon Ottavino), Mamie (Kelly Coffield Park), Herbert Brownell (Robert Stanton) and Sherman Adams (Kevin O'Rourke) rarely rise above the level of cartoon figures. Mark Shanahan and Joel Marsh Garland also have small roles. Neil Patel's clever set is greatly enhanced by Darrrel Maloney's excellent projections. Sarah J. Holden's costumes and Leah J. Loukas's wigs help recreate the times. Terry Kinney's direction is fluid. While the play has many entertaining moments, I could not shake the feeling that more loving attention had been lavished on it than it deserved. Running time: 1 hour, 45 minutes without intermission.
Labels:
Anhony LaPaglia,
Darrel Maloney,
Douglas McGrath,
Jon Ottavino,
Kathryn Erbe,
Kein O'Rourke,
Kelly Coffield Park,
Lewis J. Stadlen,
Neil Patel,
Robert Stanton,
Terry Kinney,
Vineyard
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