Yet another play about life among the white and wealthy gay residents of Manhattan? That was my first reaction upon learning about Peter Parnell’s unfortunately titled new play at Lincoln Center’s Mitzi E. Newhouse Theater. My lack of enthusiasm was misplaced. The play examines interesting questions of what has been gained and what has been lost with the arrival of gay marriage and gay parenthood. At the play’s center are two sets of gay fathers — Alan (John Benjamin Hickey) and Rob (Patrick Breen), the former a writer, the latter a psychotherapist, both in their forties — and a younger couple they meet at a gay parents’ group — staid financier Scott (Stephen Plunkett) and studly painter Jason (Alex Hurt). We also meet a straight couple —Alan’s best friend Michael (John Pankow), whose latest show on Broadway has just flopped, and his wife Serena (Kellie Overbey) — and Julia (Tammy Blanchard), an actress they both know. We follow them over the course of a year as they navigate pitfalls of parenthood and marriage, some common to all marriages and others unique to gay couples. The production is top-notch with an excellent cast, a wonderful set by John Lee Beatty that elegantly reconfigures to half a dozen locations, appropriate costumes by Jennifer von Mayrhauser and smooth direction by Scott Ellis. Parnell’s snappy dialogue is a treat. The play does sag slightly towards the end, but not enough to spoil it. Running time: one hour, 40 minutes; no intermission. NOTE: there is brief male frontal nudity, almost a requirement these days.
Showing posts with label John Pankow. Show all posts
Showing posts with label John Pankow. Show all posts
Saturday, November 7, 2015
Dada Woof Papa Hot ***
Labels:
Alex Hurt,
Dada Woof Papa Hot,
Jennifer von Mayrhauser,
John Benjamin Hickey,
John Lee Beatty,
John Pankow,
Kellie Overbey,
Lincoln Center Theater,
Patrick Breen,
Scott Ellis,
Stephen Plunkett,
Tammy Blanchard
Saturday, May 26, 2012
Medieval Play (Act One) [zero stars]
(Please click on the title to read the full review.)
It had to happen sooner or later -- encountering a play so bad that returning after intermission was unthinkable. Alas, today was the day and this was the play. It is hard to imagine that Kenneth Lonergan, author of "This Is Our Youth," "Lobby Hero" and the screenplay for "You Can Count on Me," is responsible for this pointless mess, now in previews at Signature Theatre. His play "The Starry Messenger" last year was no great shakes, but it was a masterpiece by comparison. This one is allegedly a comedy about the misadventures of two 14th-century Breton knights, one idealistic (Josh Hamilton), the other cynical and not too bright (Tate Donovan). The melange of anachronisms, bodily function jokes, four-letter words and comic book violence might make a mildly amusing five-minute sketch on Saturday Night Live, but sitting through an hour and twenty minutes of it was painful. Staying for the remaining hour and twenty minutes would qualify as cruel and unusual punishment. Most depressing of all, judging from the laughter, there was a substantial minority of the audience who loved every minute of it. Also in the cast are Anthony Arkin, Heather Burns, Halley Feiffer, Kevin Geer, John Pankow and C.J. Wilson.The storybook sets by Walt Spangler and costumes by Michael Krass were far more amusing that any lines in the play. The swordfights were well-staged by J. David Brimmer. Lonergan directed his own play, so he has no one else to blame. Running time: 2 hours, 45 minutes including intermission.
It had to happen sooner or later -- encountering a play so bad that returning after intermission was unthinkable. Alas, today was the day and this was the play. It is hard to imagine that Kenneth Lonergan, author of "This Is Our Youth," "Lobby Hero" and the screenplay for "You Can Count on Me," is responsible for this pointless mess, now in previews at Signature Theatre. His play "The Starry Messenger" last year was no great shakes, but it was a masterpiece by comparison. This one is allegedly a comedy about the misadventures of two 14th-century Breton knights, one idealistic (Josh Hamilton), the other cynical and not too bright (Tate Donovan). The melange of anachronisms, bodily function jokes, four-letter words and comic book violence might make a mildly amusing five-minute sketch on Saturday Night Live, but sitting through an hour and twenty minutes of it was painful. Staying for the remaining hour and twenty minutes would qualify as cruel and unusual punishment. Most depressing of all, judging from the laughter, there was a substantial minority of the audience who loved every minute of it. Also in the cast are Anthony Arkin, Heather Burns, Halley Feiffer, Kevin Geer, John Pankow and C.J. Wilson.The storybook sets by Walt Spangler and costumes by Michael Krass were far more amusing that any lines in the play. The swordfights were well-staged by J. David Brimmer. Lonergan directed his own play, so he has no one else to blame. Running time: 2 hours, 45 minutes including intermission.
Labels:
Anthony Arkin,
C.J. Wilson,
Halley Feiffer,
Heather Burns,
John Pankow,
Josh Hamilton,
Kenneth Lonergan,
Kevin Geer,
Medieval Play,
Michael Krass,
SIgnature Theatre,
Tate Donovan,
Walt Spangler
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