A Kid Like Jake ***

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As the recipient of the prestigious Laurents-Hatcher prize for 2013, Daniel Pearle's new play arrives at LCT3's Claire Tow Theater with expectations high. By and large, these expectations have been met and its worthiness for an award is clear. This tale of a Manhattan couple, probably Upper West Siders, struggling through the process of getting their only child into a prestigious private school has a twist: Little Jake, whom we never meet, is obsessed with Cinderella and likes to dress up like a girl. Jake's mom Alex (Carla Gugino), who abandoned a career in dance for the law and then for full-time motherhood, is still emotionally fragile after a recent miscarriage. Her husband Greg (Peter Grosz) is a laid-back psychotherapist. They are not sure whether Jake's predilection for "gender-variant" play, with which they seem mostly comfortable, is an obstacle to admission or, as their counselor/friend Judy (Caroline Aaron) suggests, a selling point for a school to achieve diversity. The application process with its essays, testing, visits, interviews and strategizing places their marriage under tremendous pressure that eventually opens fissures that release a painful outpouring of raw emotion. The three lead actors are superb and the buildup to their catharsis is gripping. I have qualms about the penultimate scene with Alex and a nurse (Michelle Beck), but my reaction to the play as a whole is overwhelmingly positive. Andromache Chalfant's flexible set serves well as several locales. Jessica Wegener Shay's costumes do not call attention to themselves. Evan Cabnet's direction is assured. Running time: one hour, 45 minutes, no intermission. Note: I am told that the entire run is sold out, but watch for a possible extension. Incidentally, LCT3's marketing plan finally seems to be paying off -- the audience had a substantially higher percentage of young people than usual.

From White Plains ****

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Hidden deep in the recesses of the Signature Center complex is the Studio, a cozy performing space available for rental by other groups. The current occupant is this production by the Fault Line Theatre, a group of alumni of the Brown University/Trinity Theatre drama program. Playwright/director Michael Perlman, in collaboration with the four actors, has written a timely drama about the long-term effects of bullying. Two straight 30-year-old buddies, Ethan (Aaron Rossini) and John (Craig Wesley Divino), are watching the Oscars and are shocked to hear Dennis (Karl Gregory), Oscar-winning screenwriter of an indie film about high school bullying name Ethan as the student whose relentless gay-baiting 15 years ago drove a fellow classmate to commit suicide years later. Ethan posts an apology on the internet, but it is rejected by Dennis, who becomes increasingly obsessed with conducting a vendetta against Ethan via an escalating exchange of internet videos. Ethan loses his girlfriend, his job and his self-confidence. He has to close his online accounts to stop the multitude of verbal attacks. Even best friend John is pulling away from him. Meanwhile Dennis's boyfriend Gregory (Jimmy King) becomes increasingly upset over Dennis's obsession with punishing Ethan as well as his seeming lack of commitment to their relationship. Dennis rejects Gregory's right to criticize him because Gregory has never come out to his parents. Dennis and Ethan agree to appear together on a tv talk show. Their conversation in the green room before the show provides the play's emotional climax. What I liked about the play, in addition to the fine acting, was the respect for complexity and nuance. As in life, no one is either blameless or all bad and no simple answers are provided. Tristan Jeffers's simple set works well and Jessica Wegener Shay's costumes are appropriate. Perlman's direction goes for the long pregnant pause a few times too many. Running time: 95 minutes, no intermission. NOTE: If you use the code FWP5D, you will save $5 off the $34 ticket price.