Satchmo at the Waldorf ****

John Douglas Thompson gives an absolutely mesmerizing performance as Louis Armstrong in this one-person play by Wall Street Journal theater critic Terry Teachout, now at the Westside Theater upstairs. In his dressing room at the Waldorf just a few months before his death, Armstrong reflects on the highs and lows of his long career. His success has been blemished by the disappearance of his black audience and unfair branding by younger black musicians like Miles Davis as an Uncle Tom. He is especially troubled by the unhappy outcome of his long and seemingly friendly relationship with his manager Joe Glaser. As if playing a convincing Armstrong were not enough, Thompson also portrays both Glaser and Davis. Lee Savage's clever set design and Kevin Adams's lighting make the transitions between characters crystal clear. Ilona Somogyi's costumes are appropriate. Gordon Edelstein's direction is assuredly smooth. I have a few quibbles: the opening scene seemed unnecessarily crude, there is very little music, and there are a few lumpy spots in the script. Nevertheless, Thompson's dazzling performance conquers all and makes this a memorable experience. Running time: 95 minutes, no intermission.

My Name Is Asher Lev ***

(Please click on the title to see the complete review.)
Aaron Posner's adaptation of Chaim Potok's novel about a young Hasid in 1950's Brooklyn who is driven to become an artist despite the conflicts it will create with his family and his community is both intellectually and emotionally satisfying. The title character ages roughly 15 years the course of the play from childhood to young adulthood. Ari Brand, through quiet intensity,  mostly meets the challenge of portraying several ages convincingly. Mark Nelson skillfully creates the roles of his father, his mentor and the rebbe with equal impact. Jenny Bacon is fine as his long-suffering mother, a gallery owner and a model. Eugene Lee's dark wooden set serves well as the Levs' apartment and an art studio. Ilona Somogyi's costumes and David Bova's wigs effectively delineate the characters. Gordon Edelstein's direction hits the right notes. The script's use of narration is greater than I would have preferred, but that did not significantly diminish my enjoyment. Running time: 90 minutes without intermission.