The sexual peccadillos of four of our politicians form the basis of this comic romp at the Lynn Redgrave Theater. Idaho’s Sen. Larry Craig (Josh Eakright, u/s for Sean Dugan), master of the wide stance; Florida’s Rep. Mark Foley (Arnie Burton), enthusiastic pal of underage congressional pages; NY’s own Rep. Anthony Wiener (Nate Smith), sexter par excellence, and South Carolina’s Gov. Mark Sanford (Tom Galantich), who turned up far from the Appalachian Trail, are captured through their own words. Rachel Dratch portrays “wives, tails, beards and Barbara Walters.” Most of the material will be thoroughly familiar to anyone who hasn’t been hiding in a cave, but playwright Mario Correa has sliced and diced it in amusing ways. Caite Hevner Kemp’s attractive set has all the right patriotic trimmings and is well lighted by Ryan O’Gara. In addition to their main characters, each actor has other roles. Projected surtitles remind us who is portraying whom at any given moment. Director Dan Knechtges maintains a lively pace. The enthusiastic cast are very good, but the material seemed to me only marginally funnier — and racier — than a series of above average Saturday Night Live skits. At 70 minutes, it was both too short and too long — too short to justify the effort and expense of attending and too long to remain fresh.
Showing posts with label Dan Knechtges. Show all posts
Showing posts with label Dan Knechtges. Show all posts
Thursday, December 11, 2014
Tail! Spin! **
Labels:
Arnie Burton,
Caite Hevner Kemp,
Dan Knechtges,
Josh Eakright,
Lynn Redgrave Theater,
Mario Correa,
Nate Smith,
Rachel Dratch,
Ryan O'Gara,
Tail! Spin!,
Tom Galantich
Sunday, September 30, 2012
Marry Me a Little **
(Please click on the title to see the complete review.)
If you are an avid Sondheim fan (and I am not), you will no doubt enjoy the Keen Company's revival of this two-person show conceived and developed by Craig Lucas and Norman René. Two neighbors in a Brooklyn apartment building (Jason Tam and Lauren Molina), alone on a Saturday night, sing 19 songs, almost all numbers cut from Sondheim musicals. They also dance a little and Molina plays the cello a bit. That's basically it for 63 minutes. There were a handful of songs I liked, but for me most of them made the case for why they were cut in the first place. Both performers are personable, but not that strong vocally. From the third row, I had trouble hearing some of the lyrics. John Bell is the fine pianist. Dan Knechtges choreographed. Jonathan Silverstein directed.
If you are an avid Sondheim fan (and I am not), you will no doubt enjoy the Keen Company's revival of this two-person show conceived and developed by Craig Lucas and Norman René. Two neighbors in a Brooklyn apartment building (Jason Tam and Lauren Molina), alone on a Saturday night, sing 19 songs, almost all numbers cut from Sondheim musicals. They also dance a little and Molina plays the cello a bit. That's basically it for 63 minutes. There were a handful of songs I liked, but for me most of them made the case for why they were cut in the first place. Both performers are personable, but not that strong vocally. From the third row, I had trouble hearing some of the lyrics. John Bell is the fine pianist. Dan Knechtges choreographed. Jonathan Silverstein directed.
Labels:
Craig Lucas,
Dan Knechtges,
Jason Tam,
John Bell,
Jonathan Silverstein,
Keen Company,
Lauren Molina,
Marry Me a Little,
Norman René,
Stephen Sondheim
Saturday, December 3, 2011
Lysistrata Jones ***
Once again, Douglas Carter Beane has turned to ancient Greece for inspiration, this time for a modern take on Aristophanes, with music and lyrics by Lewis Flinn. In this version, now at the Walter Kerr, the cheerleaders of Athens U decide not to "give it up" to their boyfriends on the basketball team until they snap the team's 30-year losing streak. Excluding the bodacious Hetaira (look it up, folks), the combined body fat of the cast must be near zero. This incredibly talented bunch do wonders in the sensational dance numbers by director/choreographer Dan Knechtges. They dance, they sing, they act, they even shoot a few hoops. Patti Murin shines as the title character. Liz Mikel, Josh Segarra, Jason Tam and Lindsay Nicole Chambers stand out in the uniformly excellent cast of 12. The music is lively, but unmemorable. Allen Moyer's scenic design is a bit too slick for the production: who needs a back wall of annoyingly bright lights shining in the audience's eyes for a few seconds? The costumes by David C. Woodward and Thomas Charles LeGalley are terrific, especially in the final scene. Don't worry too much about the plot -- it's silly but sweet. It could use some judicious trimming in the second act. When the show was given in the gym at Judson Church last summer, it drew enthusiastic reviews, including Critic's Pick from the Times. Whether it's right for Broadway remains to be seen. I personally think it would be more successful in a less lavish production off-Broadway. In any case, I had fun and hope it succeeds. Running time: 2 hours 15 minutes, including intermission.
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