American Psycho ***

This musical version of Brett Easton Ellis’s controversial 1991 novel about Patrick Bateman (the mesmerizing Benjamin Walker), an investment banker by day and serial killer by night, is a triumph of style over substance. Although I have neither read the book nor seen the movie, I gather that the musical has smoothed out a lot of the rough edges and reduced the body count substantially. Satire trumps gore most of the time. The soullessness of consumerist capitalism in the Reagan era is well-captured by Roberto Aguirre-Sacasa’s book, Duncan Sheik’s music, Lynn Page’s choreography and Rupert Goold’s direction. The gadgets, brands, clubs and restaurants may have changed but the spirit of entitlement in 1989 New York is not all that different from today’s. Bateman and his coworkers are as vacuous as their pecs are buff. The women are equally unlikable. The monochromatic scenic design by Es Devlin and sophisticated projections by Finn Ross are so striking that they sometimes threaten to upstage the actors. Among them are Helene York as Bateman’s obnoxious fiancee, Jennifer Damiano as his love-struck secretary, Drew Moerlein as his rival, Morgan Weed as his mistress and Alice Ripley, basically wasted, as his mother. The whirling sets, hyperactive videos, bright lights (by Justin Townsend) and gaudy costumes (by Katrina Lindsay) eventually produced a feeling of sensory overload and a diminishing conviction that the story was worth all the effort involved. The second act loses some of the early energy. Nevertheless, as its best moments, the show’s style overcomes its flaws and makes for edgy entertainment. The audience, considerably younger than usual for Broadway, was quite enthusiastic. Running time: 2 hours, 35 minutes including intermission.

Wild Animals You Should Know *

I know the year has several weeks to go, but I think it is safe to say that Thomas Higgins' new play now in an MCC production at the Lucille Lortel will prove to be one of the worst I have seen this year. The material is hardly original: take confused teenager, adoring friend, sensitive scoutmaster, distant parents, fat drunk for comic relief -- shake and stir. As high school friends Matthew and Jacob, Jay Armstrong Johnson and Gideon Glick look a bit long in the tooth. John Behlmann and Daniel Stuart Sherman make the best of stereotypical roles. Not even fine actors like Alice Ripley and Patrick Breen can breathe life into the wooden dialog they are saddled with. About two minutes into the play, Matthew strips to his jockey shorts as an online birthday gift to Jacob. It's all downhill from there. Running time: 95 minutes without intermission.