After runs in Seattle, New Brunswick (NJ) and Boston, this oddity has made its way to Second Stage’s Terry Kiser Theatre. Its bona fides include a score by Brendan Milburn (music) and Val Vigoda (lyrics), two of the creators of the delightful 2006 musical Striking 12; a book by Joe DiPietro, Tony winner for Memphis, and direction by Obie winner Lisa Peterson. Val Vigoda (GrooveLily, Trans-SIberian Orchestra) is a hardworking performer, who plays an electric violin in addition to acting and singing. Wade McCollum (Wicked) is an appealing actor with a strong voice and lots of presence. The dubious concept for the show is that a sleep-deprived single mother in Brooklyn whose baby daddy has abandoned her and whose job as a composer for video games is not going well, records a dating video on “Cupid’s Leftovers” that is answered by the famous polar explorer of a century ago. For reasons unclear to me, Shackleton is inspired by her and she becomes the muse that sees him through his travails. She, in turns, learns courage from him. As someone who was deeply moved by the story of Shackleton and the brave crew of the Endurance, I was distressed to see this story misappropriated for so frivolous a purpose. To project film clips and stills from their expedition to prop up this silly show is almost a desecration. Perhaps a younger audience unfamiliar with his story and with a taste for electronic music will find the show more congenial. I found it a pointless waste of time. Incidentally, Second Stage Theatre seems to be distancing itself from this production; their name does not appear in the Playbill. Running time: 90 minutes, no intermission.